Every gig, sorted.
Everyone paid right.
Every player’s gigs, fuel and pay in one place — your own travel worked out from your own postal code, the rest split to the penny, and a statement each at the end of the month.
Start your own band, join one you already play in, or get asked to sub — all from the same account.
A real band’s worth of data, nothing you do is saved, the session ends after an hour.
Six things a spreadsheet cannot do
Every one of these is a real screen in the app, not a promise about a roadmap.
Everyone's travel, worked out per person, before the split
Five players from five postal codes, one of them a sub. Everyone’s fuel comes off the top and goes back to them, the rest splits equally, and everyone in the band can see exactly how it was worked out.
- Round-trip driving distance from each person’s own postal code
- Split to the penny, with the remainder shared out deterministically
- Frozen when the statement is approved, so it never quietly changes
One statement per person, every month, that stands up
Named, numbered, approvable, and correctable without losing the original. Every gig on it, every expense, every kilometre — as a page and as a PDF.
- A correction supersedes rather than overwrites — the old one still exists
- Receipts attached, so the year-end is one download, not an archaeology dig
- Approve it and everybody on it is told
Subs that don’t break the money
Anyone can be asked to cover. The sub travels from their own address, the member still gets paid, and who owes whom is never in doubt.
- Ask, accept and confirm travel from a phone
- The sub’s own travel, not the member’s, once they are covering
- The band pays the member; the member settles with the sub
Your own booking page that knows if you’re free
A client picks a date, the page answers free or taken from your real diary, and the enquiry becomes a quote they can accept — which becomes a confirmed gig with its deposit already invoiced.
- Enquiry, quote, acceptance and invoice on one link of your own
- No marketplace in the middle taking a cut of the fee
- Add-ons, deposits and terms the client ticks and dates
Run several bands without several spreadsheets
Every band you manage in one place, each with its own people, gigs and money — and your own side of it handled properly alongside, without the spreadsheet gymnastics.
- One list, one login, no switching accounts
- Your management figures stay yours — a band never sees them
- Statements across the bands you share with another manager
Your own record, whoever you play for
Your gigs, your travel, your expenses and your statements in one place — across every band you are in and every gig you sub on, whether or not the people running them have ever heard of this. An account is yours, not your bandleader’s.
- Every gig you play, in one diary, from all of your bands
- Your own travel, worked from your own postal code, gig by gig
- Expenses and receipts kept where the year-end can find them
- A statement a month, and the whole year exported when you want it
Three steps to a band that runs itself
No import, no setup call, nothing to migrate first.
Create a band
Name it, say whether you run it yourselves or somebody manages it, and it exists. That is the whole of setup.
Invite the people in it
One link each. They add their own postal code and their own details; nobody has to chase anybody for a spreadsheet row.
Gigs, travel and pay take care of themselves
Add a booking and the distances, the split and everyone’s statement follow from it. Correct one thing and the rest keeps up.
What it costs
A month free for every new band, and a month free of Bookings — once each. Free is a real tier afterwards, not a locked screen.
Free
For a band running itself
- Gigs, splits, travel and expenses
- Statements, deps and days off
Band Pro
Per band
- Sheet sync, day sheets and calendar push
- Gear, journeys and no caps
Manager
Per band you manage
- Every band you manage gets Band Pro
- Your own management side, handled properly
Bookings
Per person, all your bands
- Enquiries, quotes and invoices
- Your own public booking page
Built for how a cover band actually gets paid
Travel off the top, then the split, then everyone’s own travel back.
A $1,800 gig, 5 players, a 15% manager’s cut: $164.00 of travel goes back to whoever drove, and the rest splits — $273.20 each.
Postal code to postal code
Real driving distances between real postal codes, round trip, per person — not a guess and not a straight line on a map.
A kilometre rate you set
Each band sets its own rate per kilometre — its own figure, not the CRA's per-kilometre rate, which is a separate thing for your tax return. It is frozen onto a statement the moment it is approved, so a later change never rewrites what somebody was already paid.
Subs, properly
A sub is a person with their own postal code and their own journey, not a note in a cell. The band pays the member; the member settles with their sub.
Written for Canadian musicians
Invoices and statements read the way a working musician here expects — payment terms, late payment, the lot.
PAT and insurance dates
Every piece of gear carries its own next-check date, with a warning before it lapses — the certificates agencies keep asking for, kept next to the gigs.
Agency sheets, not against them
If your agency keeps your bookings in a shared sheet, connect it and gigs arrive on their own. If it does not, add them yourself.
Your data, your call
Never locked in
Download or delete your account any time. A full export in CSV and JSON — everything, not a summary.
Hosted in the UK
Your data lives on servers in London, not scattered across the world.
No ads. Never sold.
We don’t run ads and we don’t sell your data. That’s not the business we’re in.